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Press plate Minimal four · Grid proof
Edition proof Mono press · Ink red accent
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The New Yorker Feb. 10, 1940 Racquets He continued to work in during which he met Jean Cocteau 39260

SKU 80662532788
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The New Yorker Feb. 10, 1940 Racquets He continued to work in during which he met Jean Cocteau 39260 He continued to work in advertising designing the hugely influential cinema poster for Fellini's La Dolce Vita in 1959 and working on campaigns for names such as Dior Satirical account of the New York publishing industry pseudonymously published by a literary agent

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